I am a creator of acousmatic dances; gestural sounds, voices, and instruments in expressive movement. I want my music to be close to the listener, close enough to touch. I use sounds for their tactile and kinetic qualities in order to evoke physical and emotional responses. Voices are often present as signifiers of human presence, of physical bodies in motion. 

 

I like to dwell in the state of mid-transcendence, in between the concrete and abstract, or in extreme zoom-in of the concrete sound, close enough to reveal its abstract quality and lose the connection to the real world. The moment where the clench of reality succumbs to abstraction is the one I want to explore.